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| From The Year 2050 |
I originally saw the skirt fabric at Jo-Ann's and fell in love. I remembered this pattern, having just recently bought it, and decided it would make a great skirt. I did eventually have to go back for more (this pattern doesn't think you'll be using a border print - which this is) for the giant 5+ yards in the skirt. The top is a heavier cotton than the skirt.
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| From The Year 2050 |
Not shown here, but the top button is actually a small rose, to correspond to those in the skirt. These buttons and loops were the worst part of the dress - I kept sewing the loops in the wrong place or some of them were stitched down really awkwardly or too tight and I had to redo them probably 4 or 5 times. (Sometimes I can be really bad at spacial things, like where closures go and the logistics of them.) I knew that these were the buttons I wanted - shank buttons that were glossy and shiny and white.
The only alteration I made - besides the length (which, with Vogue, must be for models as I always seem to take like 9" for my being 5'1") was tightening of the bodice panel. It fits more like the pattern image now and feels better all around.
I may end up making this again, but probably not for a long while, and not until a fabric calls out to me again like this one did.
The only qualm I have about it is that it's pretty hard to wear a bra with as the back of the bodice is a bit low and shows the whole back of a bra. It's a lined bodice, but still, sometimes it can be a bit awkward. But the adjusted fit around the middle, the huge skirt and the halter top are so great and Seven-Year-Itch-y! I just love it. (I didn't wear it on the Fourth of July, but I do like to refer to it as my America dress as it's red, white and blue.)
